Romány Anny Burns No Bones a Mlíkař: Bildungsroman a trauma

Klečanská, Štěpánka

Despite the term Bildungsroman being associated mainly with novels of the 18th and 19th century, this genre, or at least its features, persists in contemporary literature. Manfred Engel defines three main assumptions for the definition of the Bildungsroman: one central figure who undergoes development, which usually commences in childhood and ultimately reaches maturity, with Bildung referring to the formation of identity. The Bildungsroman is intertwined with society since it features rebelling or conforming to it. The genre, which originated thanks to the changes in society, developed with societal changes and several variants of the genre appeared. Critics eventually began to recognize female and feminist Bildungsroman that introduced a female protagonist, which was not usual in the earlier novels of the genre. The rise of new female protagonists in the twentieth century was partly caused by the fact that women were able to gradually obtain the same opportunities formerly available exclusively to their male counterparts. The Bildungsroman in Irish literature follows the general tradition of the genre in many aspects. Nevertheless, there are some recurring features typical of the Irish tradition. One of the frequent themes is leaving as a means of finding one's identity or potential. Unlike in...

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