Works by Antonín Sucharda Jr. for Church Interiors in Northeastern Bohemia
Hladká, Kateřina
2019 - Czech The artistic workshop of Antonín Sucharda Jr. (1843–1911) produced furniture and artworks for numerous church interiors of catholic parishes in Eastern Bohemia, and in many cases also restored older church equipment. The design of these artworks was increasingly influenced by Antonín‘s oldest son Stanislav Sucharda, who had been involved in the family workshop since childhood. The organization and artistic repertoire of this workshop were reconstructed, based on archive records and comparison with signed artworks and design drawings from the family heritage. Dílna Antonína Suchardy mladšího (1843–1911) vytvořila velké množství kostelního vybavení zejména pro východočeské katolické farnosti, v mnoha případech také restaurovala starší kostelní mobiliář. Na podobu uměleckých děl měl rostoucí vliv Antonínův nejstarší syn Stanislav Sucharda, který pro rodinnou dílnu od dětství pracoval. Organizace a umělecký repertoár novopacké dílny byly rekonstruovány na základě archivních pramenů a komparace se signovanými díly a s návrhovými kresbami ze suchardovské pozůstalosti. Keywords: Antonín Sucharda; Stanislav Sucharda; church furniture; wood carving; Neupaka; Choteč; restoration; 19th century Available on request at various institutes of the ASCR Works by Antonín Sucharda Jr. for Church Interiors in Northeastern Bohemia

The artistic workshop of Antonín Sucharda Jr. (1843–1911) produced furniture and artworks for numerous church interiors of catholic parishes in Eastern Bohemia, and in many cases also restored older ...

Hladká, Kateřina
Ústav dějin umění, 2019

Dr. Schuh´s Projection Microscope and the “Daguerreotype in Practice”
Trnková, Petra
2018 - Czech The central focus of the paper is one of three daguerreotype photomicrographs that have been preserved in Central European collections. Namely the one that is to be found today in the National Technical Museum in Prague, which has traditionally been attributed to the rector of the grammar school in Litomyšl (East Bohemia), Florus Ignatz Stašek. Attention is payed both to the technical conditions under which this image may have been created and the question of who was responsible for it, with reference to the role (which cannot be overlooked) played by one of the pioneers of photography and modern microscopy in Austria, Carl Schuh. Ústřední téma příspěvku představuje jedna ze tří mikrodaguerrotypií, které se dochovaly ve středoevropských sbírkách, a sice té, jež se dnes nachází v NTM v Praze a jejíž autorství je tradičně přisuzováno rektoru litomyšlského gymnázia Floru Ignáci Staškovi. Pozornost zde je věnována jak technickým podmínkám možného vzniku tohoto snímku, tak otázce autorství, přičemž je poukázáno na nepřehlédnutelnou roli jednoho z průkopníků fotografie a moderní mikroskopie v Rakousku Carla Schuha. Keywords: photography; daguerreotype; daguerreotype photomicrograph; Carl Schuh; Florus Ignatz Stašek (Staschek); projection microscope Available at various institutes of the ASCR Dr. Schuh´s Projection Microscope and the “Daguerreotype in Practice”

The central focus of the paper is one of three daguerreotype photomicrographs that have been preserved in Central European collections. Namely the one that is to be found today in the National ...

Trnková, Petra
Ústav dějin umění, 2018

The Concept of the Cave and the Theory of All Art
Petrasová, Taťána
2018 - Czech The text is based on the well-known fact that in the 18th century a merging of garden theory and architectural theory occurred, and raises the question of how the theory of architecture and the theory of gardens came to be linked. In the author’s view, the two theories were brought closer by the attempt at that time to create a universal theory of all art forms as advocated by Johann Wolfgang Goethe. Text vychází ze známé skutečnosti, že v 18. století došlo k prolnutí zahradní a architektonické teorie a klade si otázku jak se teorie architektury a teorie zahrad propojily. Podle autorky ke sbližování obou teorií přispěla dobová snaha vytvořit univerzální teorii všech umění, tak jak ji prosazoval J. W. Goethe. Keywords: Czech lands; Germany; 18th century; Neo-Classicism; architecture; fine arts Available at various institutes of the ASCR The Concept of the Cave and the Theory of All Art

The text is based on the well-known fact that in the 18th century a merging of garden theory and architectural theory occurred, and raises the question of how the theory of architecture and the theory ...

Petrasová, Taťána
Ústav dějin umění, 2018

Art in an unsettled time. Bohemian book illumination before Gutenberg (c. 1375-1450)
Studničková, Milada; Theisen, M.
2018 - English Thirteen studies in English and German bring new insights into a number of masterpieces of Bohemian book painting, which have been examined so far mainly from a stylistic point of view. The book also acquaints the readers with unknown or little-known manuscripts. The publication illustrates how the turbulent end of the 14th century and the socio-political changes of the Hussite period influenced the form of manuscript production. The researches, inter alia, focus on the relationship between text and image, the function of the depiction, the mass productin of manuscripts, and the question of what Hussite iconography is. Keywords: illuminated manuscripts; Bohemian book painting; Hussite iconography Available at various institutes of the ASCR Art in an unsettled time. Bohemian book illumination before Gutenberg (c. 1375-1450)

Thirteen studies in English and German bring new insights into a number of masterpieces of Bohemian book painting, which have been examined so far mainly from a stylistic point of view. The book also ...

Studničková, Milada; Theisen, M.
Ústav dějin umění, 2018

Dresden - Prag um 1600. Studia Rudolphina Sonderheft 02
Bukovinská, Beket; Konečný, Lubomír
2018 - German This publication, prepared by the Rudolpine Center represents both a sequel to the 2009 volume München–Prag um 1600, and at the same time the continuation of a project focused on charting the contacts among the imperial court of Rudolf II and other courts in Central Europe. The volume brings together the contributions delivered at the international conference organized by the Institute of Art History ASCR jointly with Staatliche Kunstsammlungen in Dresden. At the outset there were sketched the rich contacts between Prague and Dresden. The following papers brought new information concerning the visual arts, science and culture in both capitals. They documented the importance of exanges of artists and of the importance of gifts.\nContributors:\nan Baťa (Univerzita Karlova v Praze), Václav Bůžek (Jihočeská univerzita v Českých Budějovicích), Wolfram Dolz, Michael Korey Peter Plaßmeyer, (Mathamatisch-Physikalischer Salon, Staatliche Kunstsammlungen Dresden), Angelica Dülberg (Landesamt für Denkmalpflege Sachsen), Eliška Fučíková (Praha), Vladimír Karpenko (Praha), Thomas DaCosta Kaufamnn (Princeton University), Jutta Kappel, Dirk Syndram, Ulrike Weinhold (Grünes Gewölbe SKD), Jürgen Müller (Technische Universität Dresden), Holger Schuckelt (Rüstkammer, SKD), Martin Šolc (Astronomický ústav UK), Helen Watanabe-O’Kelly (University of Oxford), Jürgen Zimmer (Berlin), Beket Bukovinská, Martin Krummholz, Ivan P. Muchka, Ivo Purš (ÚDU AVČR). Diese Publikation des Zentrums zur Erforschung der Kunst und Kultur der Zeit Rudolfs II. schließt an den Sammelband von 2009 an und ist eine Fortsetzung des Projektes, das sich auf die Kartierung der Kontakte zwischen dem Kaiserhof Rudolfs II. und den Herrscherhöfen Mitteleuropas konzentriert. Auch diesmal dokumentiert der Band die Ergebnisse der internationalen Konferenzen, die in Zusammenarbeit mit den Staatlichen Kunstsammlungen Dresden vom 17. bis 20. 3. 2015 in Dresden und Prag stattfanden. In der Einführung des Bandes werden die reichen Verbindungen zwischen Prag und Dresden angesprochen. Die durchweg mit reichem Bildmaterial ausgestatteten Texte kartieren anschließend gemeinsame Interessen auf dem Gebiet der Kunst, Wissenschaft und Kultur und erbringen neue Erkenntnisse über den Transfer von Künstlern zwischen beiden Höfen, sie dokumentieren den Austausch wissenschaftlicher Erkenntnisse und betonen die große Bedeutung herrschaftlicher Schenkungen.\nTextautoren: \nJan Baťa (Univerzita Karlova v Praze), Václav Bůžek (Jihočeská univerzita v Českých Budějovicích), Wolfram Dolz, Michael Korey Peter Plaßmeyer, (Mathamatisch-Physikalischer Salon, Staatliche Kunstsammlungen Dresden), Angelica Dülberg (Landesamt für Denkmalpflege Sachsen), Eliška Fučíková (Praha), Vladimír Karpenko (Praha), Thomas DaCosta Kaufamnn (Princeton University), Jutta Kappel, Dirk Syndram, Ulrike Weinhold (Grünes Gewölbe SKD), Jürgen Müller (Technische Universität Dresden), Holger Schuckelt (Rüstkammer, SKD), Martin Šolc (Astronomický ústav UK), Helen Watanabe-O’Kelly (University of Oxford), Jürgen Zimmer (Berlin), Beket Bukovinská, Martin Krummholz, Ivan P. Muchka, Ivo Purš (ÚDU AVČR). Keywords: court of Rudolf II; ruler courts; Central Europe Available at various institutes of the ASCR Dresden - Prag um 1600. Studia Rudolphina Sonderheft 02

This publication, prepared by the Rudolpine Center represents both a sequel to the 2009 volume München–Prag um 1600, and at the same time the continuation of a project focused on charting the contacts ...

Bukovinská, Beket; Konečný, Lubomír
Ústav dějin umění, 2018

Andrew from Austria - The Scribe of the So-called Morgan Bible
Kubínová, Kateřina
2018 - English The curriculum vitae of the scribe Andrew from Austria was compile according to the historical sources. The author also pointed to the probable Andrew´s relation with Hasenburg family. Keywords: medieval illuminated manuscripts; medieval paleography; bible Available at various institutes of the ASCR Andrew from Austria - The Scribe of the So-called Morgan Bible

The curriculum vitae of the scribe Andrew from Austria was compile according to the historical sources. The author also pointed to the probable Andrew´s relation with Hasenburg family.

Kubínová, Kateřina
Ústav dějin umění, 2018

On the Petrographic Analysis of the Bern Pietà and the Pietà in St. Petersburg
Hlobil, Ivo
2018 - Czech The article points to the diametrically different results of the petrographic analysis of matter, from which two Pietà of the Beautiful Style around 1400 in Bern and St. Petersburg were allegedly made, as can be found in the current art historical literature. Stať upozorňuje na rozdílné výsledky petrografické analýzy materie, z které jsou zhotoveny piety krásného slohu z doby kolem roku 1400 v Bernu a Petrohradě, jak se vyskytují v recentní uměleckohistorické literatuře. Keywords: Beautiful Style around 1400; sculpture; Pietàs in Bern and St. Petersburg; petrographic analysis Available at various institutes of the ASCR On the Petrographic Analysis of the Bern Pietà and the Pietà in St. Petersburg

The article points to the diametrically different results of the petrographic analysis of matter, from which two Pietà of the Beautiful Style around 1400 in Bern and St. Petersburg were allegedly ...

Hlobil, Ivo
Ústav dějin umění, 2018

Introduction
Dobalová, Sylva; Muchka, Ivan
2017 - English Keywords: leisure buildings; European palaces; court residences Available at various institutes of the ASCR Introduction

Dobalová, Sylva; Muchka, Ivan
Ústav dějin umění, 2017

The Magic of Folk Art
Winter, Tomáš
2017 - Czech The paper follows the manner in which perception and the interpretation of the magical function of folk art has shifted in the past by looking at three examples. Článek zkoumá prostřednictvím tří příkladů proměnu recepce a intepretace magických aspektů lidového umění. Keywords: cubism; surrealism; primitive art Available at various institutes of the ASCR The Magic of Folk Art

The paper follows the manner in which perception and the interpretation of the magical function of folk art has shifted in the past by looking at three examples.

Winter, Tomáš
Ústav dějin umění, 2017

Introduction
Kubínová, Kateřina
2017 - Czech Keywords: Emmaus; Charles IV Available at various institutes of the ASCR Introduction

Kubínová, Kateřina
Ústav dějin umění, 2017