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Transformations in the Interpretation of Music Folklore: From the Protection of Everyday Culture to the Emergence of a Music Genre (Using the Czech Republic as a Case Study)
Uhlíková, Lucie; Pavlicová, M.
2023 - anglický
From the 1960s onwards, efforts began to develop in Czech ethnology, which gradually began to include folklore manifestations in their second existence in professional research. The field of folklorism sometimes overlapped with the existence of folk traditions, sometimes built on them, and sometimes was only inspired by them to varying degrees. The distinction in such defined categories was not easy even in the past, and with the increasingly rapid development of society, it became blurred in the general consciousness. Within this scope, a contemporary broad music genre, music folklore, has emerged that is not easy to define in terms of content. In this paper, the authors outline its historical formation, show model moments of its development, and deal with its polyfunctionality: many collectives present themselves not only on stage (together with dancers) and in concert settings (independently), but also participate in local ethno-cultural traditions, dance parties, family celebrations (weddings, birthdays), and commercially focused events. To illustrate this, the paper uses archival source material, and field research based on interviews with selected musicians.
Klíčová slova:
Music folklore; transformations of folk tradition; music genre; folk revivalism in the Czech Republic
Dokument je dostupný na externích webových stránkách.
Transformations in the Interpretation of Music Folklore: From the Protection of Everyday Culture to the Emergence of a Music Genre (Using the Czech Republic as a Case Study)
From the 1960s onwards, efforts began to develop in Czech ethnology, which gradually began to include folklore manifestations in their second existence in professional research. The field of ...
The Geopolitics of Photography Exhibitions. Showcasing Soviet Photographers in Interwar Czechoslovakia
Parkmann, Fedora
2022 - anglický
This paper presents interwar exhibitions of photography as spaces of exchange, self-promotion, and competition for recognition in the heart of a global geopolitics of photography. Focusing on the participation of Soviet photographers at several large-scale international exhibitions organized in Czechoslovakia in the 1930s, it shows that both the Czech and Soviet organizers took advantage of exhibitions to serve their respective interests: The Soviet Union to strengthen its cultural diplomacy, and the Czech supporters of Soviet photography to popularize functional and committed photographic approaches among their fellow countrymen.
Klíčová slova:
exhibition; photography; USSR; Czechoslovakia
Plné texty jsou dostupné v digitálním repozitáři Akademie Věd.
The Geopolitics of Photography Exhibitions. Showcasing Soviet Photographers in Interwar Czechoslovakia
This paper presents interwar exhibitions of photography as spaces of exchange, self-promotion, and competition for recognition in the heart of a global geopolitics of photography. Focusing on the ...
The Folk Song Cultural Heritage in the Context of Political Correctness: When hep, hep is not hop, hop
Uhlíková, Lucie; Pavlicová, M.
2022 - anglický
The paper explores folk songs written down in what is present-day Czech Republic from roughly the beginning of the 19th century to the 1970s. It shows how song lyrics were treated in the past when they did not conform to the social conventions, aesthetics, ethical ideals, and patriotic goals of the time. When such songs were written down by collectors, their lyrics were often modified, some parts being omitted, others changed. This practice was followed from the early 19th century until the fall of the communist totalitarian regime in 1989. At present, these authentic folk song lyrics seem non-controversial by some performers, but many lyrics are far from it. One of the components of tradition is social memory, which is associated with cultural stereotypes—the generally fixed ideas that people have about themselves and members of different groups. These “Others” are usually members of a different ethnicity, religion, or social class. Their image in folklore involves certain ideas, ideological views, evaluative attitudes, and historical experience. Using the example of otherness, which in Czech folk songs is mainly associated with the negative image of members of the Jewish minority, the paper shows the possible results of misunderstanding the historical context: the anti-Semitic motifs of some older songs and dances resented in public may not be evident to those who perform them today.
Klíčová slova:
folklore; cultural stereotypes; cultural heritage; phenomenon of otherness; political correctness
Dokument je dostupný na externích webových stránkách.
The Folk Song Cultural Heritage in the Context of Political Correctness: When hep, hep is not hop, hop
The paper explores folk songs written down in what is present-day Czech Republic from roughly the beginning of the 19th century to the 1970s. It shows how song lyrics were treated in the past when ...
Romani Studies at the Institute of Ethnology of the Czech Academy of Sciences and the Institute of Sociological Studies, Faculty of Social Sciences, Charles University
Uherek, Zdeněk
2021 - anglický
An overview of research in the field of Romani studies at the Institute of Ethnology of the Czech Academy of Sciences and at the Institute of Sociological Studies, Faculty of Social Sciences, Charles University.
Klíčová slova:
Romani Studies; Charles University, Faculty of Social Sciences; Institute of Etnonology, Czech Academy of Sciences
Dokument je dostupný na externích webových stránkách.
Romani Studies at the Institute of Ethnology of the Czech Academy of Sciences and the Institute of Sociological Studies, Faculty of Social Sciences, Charles University
An overview of research in the field of Romani studies at the Institute of Ethnology of the Czech Academy of Sciences and at the Institute of Sociological Studies, Faculty of Social Sciences, Charles ...
Mudra’s Upper Sorbian-Czech dictionary – what can be done about this lexicographic “posthumous child”?
Brankatschk, Katja; Škrabal, M.
2021 - anglický
Jiří Mudra, among his numerous selfless activities, was a Czech doyen of Sorbian studies. He had been working for decades on an Upper Sorbian-Czech dictionary but, unfortunately, had not finished his work on it at the time of his death. Presently, we are considering completing\nMudra’s project. The material collected by Mudra is undoubtedly valuable for us, providing us with a launchpad for further work, still, it is necessary to challenge it with the current data and a modern lexicographic approach. The paper presents the proposed individual methods\naimed at finishing the main body of the dictionary. Every lexicographer works with the data and tools available in his or her time – and Mudra\nwas certainly no exception. There is, therefore, no reason to maintain exaggerated reverence towards his dataset where it is in apparent conflict with the current language reality. The aim is not to foster Mudra’s cult, but to acknowledge his admirable initiative and enthusiasm. The best way to do so is to complete his dictionary with all the possibilities currently offered to us and make it available – as the first academic dictionary in this language combination – to Czech users.
Klíčová slova:
Upper Sorbian-Czech dictionary; Mudra, Jiří; completion of dictionaries
Dokument je dostupný na externích webových stránkách.
Mudra’s Upper Sorbian-Czech dictionary – what can be done about this lexicographic “posthumous child”?
Jiří Mudra, among his numerous selfless activities, was a Czech doyen of Sorbian studies. He had been working for decades on an Upper Sorbian-Czech dictionary but, unfortunately, had not finished his ...
Rhyme in 16th-Century Hungarian Historical Songs: A Pilot Study
Maróthy, S.; Seláf, L.; Plecháč, Petr
2021 - anglický
This article presents a computer-based stichometric analysis of 26 Hungarian historical songs from the 16th century. We explore the validity of comments made by Albert Szenci Molnár in 1607 about the poor quality and simplicity of stanza structures in the poetry of previous generations. The study shows how rhyming changed in this poetic genre between 1539 and 1598. In this respect, it is the first work to explore these changes through a quantitative analysis. We find that during the examined period, there was a marked decline in the frequency of rhymes based on the repetition of the same word. At the same time, the tendency to maintain a rhyme across multiple stanzas did not change significantly.
Klíčová slova:
versification; stylometry; rhyme; Hungarian poetry
Plné texty jsou dostupné v digitálním repozitáři Akademie Věd.
Rhyme in 16th-Century Hungarian Historical Songs: A Pilot Study
This article presents a computer-based stichometric analysis of 26 Hungarian historical songs from the 16th century. We explore the validity of comments made by Albert Szenci Molnár in 1607 about the ...
Between the Countryside and the City: Changes of the Living Space of Folk Traditions and the Development of the Folklore Movement in the Czech Lands in the Second Half of the 20th Century
Uhlíková, Lucie
2020 - anglický
The folklore movement in the Czech lands is not related only to the development of cultural policy after the communist coup in Czechoslovakia in February 1948. It is also connected to the period of enthusiasm that immediately followed the ending of World War II in Europe, although its importance is rooted in the inter-war development of Czechoslovakia and older activities. Gradually, a new stage and musical genre were developed that were represented by outstanding personalities, who became role models for the way they worked with folklore. This related predominantly to rural culture, however, very soon the city became its new environment. Various activities of folk ensembles contributed to the fact that in the second half of the 20th century, folk traditions became not only a space for artistic self-realization, but an important form of sociocultural capital at the local and regional levels.
Klíčová slova:
Folklore movement in Czechoslovakia; folk ensemble; culture and politics; tradition as a political capital; revitalization of tradition
Dokument je dostupný na externích webových stránkách.
Between the Countryside and the City: Changes of the Living Space of Folk Traditions and the Development of the Folklore Movement in the Czech Lands in the Second Half of the 20th Century
The folklore movement in the Czech lands is not related only to the development of cultural policy after the communist coup in Czechoslovakia in February 1948. It is also connected to the period of ...
From Folklore to World Music: Music and Space. Introduction
Toncrová, Marta
2020 - anglický
Introduction to the 17th annual conference “From folklore to world music”.
Klíčová slova:
folk music; ethnic music; music and space; folklore; cultural studies
Dokument je dostupný na externích webových stránkách.
From Folklore to World Music: Music and Space. Introduction
Introduction to the 17th annual conference “From folklore to world music”.
Partial Memory Loss: Sacred Folk Songs of the Czech Lands
Uhlíková, Lucie; Toncrová, Marta
2019 - anglický
The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they were transformed, commenting also on their primary religious function.
Klíčová slova:
Czech religious/sacred songs; folk songs; religion and folk culture; variational process and sacred songs; totalitarian censorship; folklore and communication memory
Dokument je dostupný na externích webových stránkách.
Partial Memory Loss: Sacred Folk Songs of the Czech Lands
The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they ...
Partial Memory Loss: Sacred Folk Songs of the Czech Lands
Uhlíková, Lucie; Toncrová, Marta
2019 - anglický
The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they were transformed, commenting also on their primary religious function.
Klíčová slova:
Czech religious/sacred songs; folk songs; religion and folk culture; variational process and sacred songs; totalitarian censorship; folklore and communication memory
Dokument je dostupný na externích webových stránkách.
Partial Memory Loss: Sacred Folk Songs of the Czech Lands
The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they ...
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